Scoring Guitars 2 sounds amazing, offers a crazy amount of twaekability and precision, sounds consistent throughout all patches, and is flexible enough to fit into cinematic scores, as well as Hip-Hop beats, Neo-Classical productions or Pop tunes and Rock tracks. This library has some legs for sure and will definitely become a staple in my template for many projects to come. Tweaking sounds within the elegantly designed Kontakt interface is fast and pushes the envelope in creative, musical ways. The only difference is that with pads you can control each of the three channels individually which enables you to create a lot of different type of sounds. Their products always sound edgy, fresh and relevant to the current market. Notwithstanding the sensible keyboard layout, finding the most effective musical combinations in a patch containing 60 or so loops you've never heard before is challenging. This Vocalise though does have the sound I've been searching for and now that it's here, I'm going to be spending a lot of long nights working with this program.
Please do not spend any money on these products unless you feel you need them or that they will help you achieve your goals. Just my view, if somebody can come up with awesome original results with this material rather than just canned playback of Heavyocity's admittedly great sounding work, I'd love to hear it. You get a lot of flexibility being able to combine the individual elements of which the sounds are made and the ability to sync the risers and whooshes to your tempo is a real time saver! For modern action, science fiction and horror this product is undoubtedly the best of the best. But Heavyocity has gone five steps further in their programming. I normally shy away from loop-based orchestral samples but I believe composers will find these instruments both inspirational and extremely versatile. Please note that some of the links on the site are affiliate links, and at no additional cost to you, Sample Library Review will earn a commission if users decide to make a purchase.
Game of Thrones fans, Peter Jackson - Lord of the Rings fans, Elder Scrolls geeks and even Marvel junkies will relish the element of the female voice singing mysteriously, beautifully, and for the most part, incoherently. The abundance of evocative, dramatic and inspiring textures is amazing. The interface is beautiful and well thought out. I can absolutely agree that stuff like Aeon and possibly Gravity will dictate your music way too much, but I disagree as far as their drum libraries go. The sounds and flexibility are amazing! Four hundred individual Stings cover a vast range, from reverse hits and whooshes, to disturbing metals and aggressive tonal sweeps. A very nice addition to the previous library Evolve. Trust me, this is only the beginning, as most of these directories have subdirectories, like Aggressive, Ethereal, etc.
I know that is not a small price but for those who really wants high-quality sounds for their compositions, Gravity is a top-class virtual instrument. That said, if you're itching for some instant hot rhythmic action, the loops provide it straight out of the box. The stuff is just way too pre-arranged, polished, and finished to be helpful in an actual creative context. While recording in a Connecticut scrapyard, Heavyocity's producers came across this unmissable bargain going cheap — only one careful owner. Risers For the first time in a Heavyocity product, we are proud to include fully customizable Risers. Like previous Heavyocity products, all the programming is rock solid and consistent.
It uses the best of all worlds and makes it something unique and interesting. Combine up to four of the 192 distinct elements to create virtually limitless combinations of unique Hits. Probably because he's not spending days tweaking on soft and hardware synths. This library has some legs for sure and will definitely become a staple in my template for many projects to come. There is no other library like it. Let loose in a Connecticut junkyard armed with improvised metal weapons, the producers smashed, bashed and crashed everything in sight.
All four effects are equipped with four basic controllers corresponding to each effect. I normally swear by my hardware but have found new light and faith in this absolutely brilliant instrument. If your post is calling someone out for something, it's probably not appropriate here. Speaking of pads, the Complex pads, while few, are deep and will get you in the mood. You might have to invest more money, but put the time in and, with Gravity on your side, you could be streets ahead of — or sorry above — the completion.
When it comes to edgy glitchy, industrial beats, nothing comes close. Once you get close to it, you will always gravitate towards it when it comes to brilliantly crafted Modern Scoring Tools! This Vocalise though does have the sound I've been searching for and now that it's here, I'm going to be spending a lot of long nights working with this program. However, blocking some types of cookies may impact your experience of the site and the services we are able to offer. It's like musical stock photos, and it's a bit worrying, to be honest. More than just a collection of textures, Gravity has quite the library of musical pads, elements, rises, and stingers that will save most film composers and producers quite a lot of time.
The programming is top notch and inspires new directions… This is an amazing, really fun tool that I highly recommend. The sounds are inspiring and categorized in a really smart way. Gravity surely is an awesome library. I especially love the more minimal elegance on some of the synth-presets. Daniel also mentioned Orbit is similar in that you can have it auto transition between the 3 samples. Clever film-making it may not be, but there can't be many media composers who would spurn the opportunity to insert a gratuitous bang in their soundtracks if it helped the screen action along a bit.
The programming is top notch and inspires new directions. While the musical content is exemplary, I feel the presentation has one minor flaw: the only way you can readily find out what elements are employed in a full loop is to open Kontakt 5's mapping editor, locate the active zone and make a note of the names of the samples inside it. Easy to dial in and make a sound more exciting. Without fail, Mutations steps it up a notch. It lends us control over any sort of movement in the patch, step sequencing, any rhythmic gating or similar arpeggiated effects. Presets, for an instrument such as this, can make or break my relationship with a program. The size and depth of what can be done with this library is endless from huge fat evolving synths to cutting raw synths, strings and filters.
This library is no exception. In this respect, Heavyocity nailed it. With Pitch you can control pitch band range for any of three possible channels, or separately tune any of those channels. I found the best approach was to play around at the top of the keyboard till I found a continuous hi-hat-type pattern, then add a kick loop from the low end of the patch. Next is a Trigger Effects window where some of the effects parameters presented on the main page can be triggered live, or even by setting them in advance. The kits are divided into five sub-categories, the first three of which Epic Organic Drums, Ethnic Drums and Metals are devoted to multisampled, round-robin hits. However, my brain was seriously affected, buzzing for hours afterwards with creative ideas sparked by these excellent loops and samples.